Pioneering animator celebrates a life of laughter
By Michael Picarella
pic@theacorn.com
 | | Hal Geer and friends
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When he was in the Boy
Scouts, Simi Valley resident Hal
Geer shot pictures, which the
Scouting organization used in
advertisements. In return, Geer
attended summer camp for free.
Today Geer, who is a retired
Warner Brothers cartoon man,
speaks on cruise ships as part of
an enrichment lecture program
and in return he receives free
cruises.
Geer enjoys laughing. And
he’s responsible for providing
laughs to many generations all
over the world with his work on
the famous Looney Tunes cartoons.
“One night I was at the Motion Picture Academy and there
was an actor named Lew Ayres
(“All Quiet on the Western
Front,” “Battle for the Planet of
the Apes”) sitting next to me
and—he knew me by screen presence and of course I knew who
he was, but this was the first time
we’d ever met—and he said, ‘Hal,
do you have any idea how many
smiles you’ve brought to the
world?’ I said, ‘Well, I never
thought of it in those terms.
You’re always thinking of your
audience and your ratings, but I
never thought about it in that way
before.’”
Geer was a key member behind 25 feature films, including
“The Treasure of the Sierra
Madre” and Disney’s “Peter Pan,”
more than 500 television shows,
including “Route 66,” 400 commercials and 100 short subjects,
including many favorite Bugs
Bunny cartoons. He ran the
Warner Brothers cartoon department between 1967 and 1970 and
was a major innovator in the technical processes of cartoon and live
action photography.
At the early age of 10, Geer
found an interest in cameras and
film.
“When I was a paper boy on
route, one of my customers, who
had a portrait studio, invited me
in one day to see him process
film,” Geer said. The young Geer
was highly intrigued when he saw
a print materialize before his eyes
in a tray of photo chemicals. Geer
became hooked and soon managed to get hold of a Brownie box
camera.
“When I went off to Boy Scout
camp, I took that little Brownie
and instead of just taking snapshots, I took one friend and I followed him all around for a week,
getting up in the morning, jumping in the lake, brushing his teeth.
. . . I told his story with my camera.”
Geer’s pictures later made an
impression on the director of the
camp, who asked to use the pictures for Boy Scout advertisements.
“That was my first professional photo job,” Geer said.
Geer learned more about photography and motion pictures
while in the U. S. Army Air Corps
during World War II. As a motion
picture cameraman he photographed 86 missions, which
showed up in numerous newsreels.
Upon arriving home from the
military in 1946, Geer took a
color technician job in the special
effects department at Warner
Brothers. The young cameraman
used his skills and training to perform “process” or “rear projection” work, which has since been
replaced by the blue screen and
green screen processes. An example of rear projection can be
seen in Alfred Hitchcock’s “North
By Northwest,” where Cary Grant
is driving a car and the background outside the car is projected
onto a screen to appear like the
car is moving and isn’t on a sound
stage. (For those who didn’t
know, Cary Grant was not driving that car.)
In 1950, Geer moved over to
Disney. He stayed for five years,
working in the special processes
lab doing optical printing, color
duplication and process projection. Geer worked under Walt
Disney’s partner and friend Ubi
Iwerks, an animator on “Steamboat Willy,” the first cartoon with
sound. Geer contributed to
Disney’s TV show, which Walt
Disney used to promote his biggest dream to date, Disneyland.
After his stint at Disney, Geer
worked for independent companies, performing various jobs in
the entertainment industry. In
1967, he went back to Warner
Brothers to run the cartoon department. He also edited cartoons,
started up a commercial department and produced and directed
spots for TV.
In 1987, Geer retired. “I had
the best job in the world,” he said.
His storytelling capabilities are a
particular source of pride for
Geer. In WWII, many photographers were technical, but couldn’t
tell stories, he said. Geer’s strong
sense of the narrative form served
him well throughout his career.
He still uses his storytelling
skills. He’s spent the last 15 years
as a lecturer on cruise ship.
“They call them enhancement
lectures,” Geer said. “After I retired, I went on a couple of
cruises and I listened to one of
the guys talking and I said, ‘I can
do that and I can do better than
he’s doing.’ So I talked my way
into the job.”
Geer and his wife take about
four cruises a year. There was a
time when they took seven cruises
in a year. That turned into work,
he said.
Geer has degrees in English
and anthropology from USC. He’s
a member of the International
Combat Camera Association, a
group of combat cameramen who
buy historical cameras and put
them in museums.
In 1985, Geer helped organize
the Bugs Bunny star on the Hollywood Walk of Fame and was
honored along with cartoon directors Friz Freleng and Chuck
Jones, and cartoon voice master
Mel Blanc.
“I’ve had fun all my life,” said
Geer, who’s a speaker box of cartoon history. Having been in the
business for so many years, Geer
speaks from experience, not from
other people’s stories.
To see a list of some of Geer’s
work, go to www.imdb.com and
search “Hal Geer.”